The bridge is part of the series of bas-reliefs and utilizes the same type of artistic intervention both in terms of design and in terms of conceptuality. This is a further modulation of the previous bas-reliefs, born from the sculptural transformation of “pieces” painted in the street.
The artwork is therefore part of the same type of artistic operation that saw the creation of Nuovo Classico, Lettering Medievale, and also the Battiscopa. They are all architectural elements that interpret differently the pieces made on the wall, thanks to the different contexts in which they fit in. Thanks to the formula of the bas-relief the furnishing elements are proposed in a historic center with the same ease with which the pieces inhabit the underground context, seeking solutions in dialogue with the architecture and the external space. In this case, the bas-relief mixes and fits perfectly into the bridge element, becoming an integral part of it.